When I first saw the trailer of Foxcatcher I was instantly hooked. After Moneyball, I was in on director Bennett Miller, I was in on Steve Carell doing his best to win an Oscar, I was in on Channing Tatum trying to expand his range, and I was in on a stylish, creepy movie about a creepy fucking dude. I was so excited about this film, that I ranked it as my #2 most anticipated film of this fall season. In that column I wrote, "I actually can't imagine a scenario where Foxcatcher is bad 'per se' but I can envision a scenario where the film is just not as good as I am hyping it up to be."
As it turns out, Foxcatcher is bad. I mean really bad. It's not Troll 2 or Saving Christmas bad, but it is not a good movie. I could take a movie with great performances that's not very engaging or a movie in which I am self-aware enough to know that I don't like it because my expectations were set way too high (because at least then I can re-watch the film), but neither is the case with Foxcatcher. The film's main problem (among many) is that there is no conflict. For the vast majority of this movie, these characters just exist. They're there, and that's it. I could actually take that if Bennett Miller was properly setting mood and tone to help the audience feel uncomfortable surrounding a creepy situation, but that doesn't happen either. What's most infuriating about the story that's been chosen to be told is that natural conflict should arise. The whole reason this story deserves to be made into a movie is rife with conflict, yet that barely shines through.
As it turns out, Foxcatcher is bad. I mean really bad. It's not Troll 2 or Saving Christmas bad, but it is not a good movie. I could take a movie with great performances that's not very engaging or a movie in which I am self-aware enough to know that I don't like it because my expectations were set way too high (because at least then I can re-watch the film), but neither is the case with Foxcatcher. The film's main problem (among many) is that there is no conflict. For the vast majority of this movie, these characters just exist. They're there, and that's it. I could actually take that if Bennett Miller was properly setting mood and tone to help the audience feel uncomfortable surrounding a creepy situation, but that doesn't happen either. What's most infuriating about the story that's been chosen to be told is that natural conflict should arise. The whole reason this story deserves to be made into a movie is rife with conflict, yet that barely shines through.






