2015 Oscar Preview: Best Actor

THE NOMINEES:

- Steve Carell (Foxcatcher)
- Bradley Cooper (American Sniper)
- Benedict Cumberbatch (The Imitation Game)
- Michael Keaton (Birdman)
- Eddie Redmayne (The Theory of Everything)

WHO SHOULD BE HERE: Jake Gyllenhaal (Nightcrawler)

I get so incensed whenever I see this category and I don't see Jake Gyllenhaal's name listed. He was so fucking good in Nightcrawler that every acting performance this year (and especially those in this category) is ruined for me because it's not as good as Gyllenhaal in this film. Seriously. his biggest "problem" for not getting a nomination is that Nightcrawler is a film that speaks to Generation X and Millennials and the voting branch of The Academy is full of old farts who still wish Gone With The Wind was playing at the cinemas. Truthfully, I should stop expecting this branch as a whole to start making correct decisions, but I unfortunately care too much and snubs like this unnecessarily upset me to no end. Jake Gyllenhaal gave the greatest acting performance since Heath Ledger in The Dark Knight and gave a performance no other actor could do. Gyllenhaal not only had to have you root for this villain he plays but suck you into a pretty twisted tale and make it believable.

I'm just glad someone else is on my side in this imaginary war.

Click here to read my full review of Nightcrawler

Why Nightcrawler Is The Better, Improved Version Of Gone Girl

There are a lot of similarities between David Fincher's Gone Girl and Dan Gilroy's Nightcrawler: both star a career-best performance by their A-list leading man, both are a dark, twisted tale brought on by a sociopath, and both are a scathing satire on the relationship Americans have with the media. The only difference is that Gone Girl is directed by an experienced director with a rookie screenwriter, whereas Nightcrawler is directed by a first-time director with a veteran screenwriter. While we like to think as movies as the director's forum (whereas TV is the writer's playground), the reality is that if you do not have a great, or even good script, there's nothing even the best directors can do to tell a masterful story.

That's the main problem with Gone Girl. While David Fincher is at his best in his latest film, and he probably does some of the best directing work of his career, Gone Girl is just an average movie. There's nothing that Fincher could have done to save Gillian Flynn's script, and in fact, Flynn's script in the hands of almost every other director is a flat out bad movie. It is not that Flynn is a bad screenwriter, it's that her original story (Flynn also wrote the book Gone Girl) is so bonkers, bat-shit crazy that I'm surprised it ever became popular enough as a book to get Hollywood's attention. You can read my full review of Gone Girl here.