I struggle with The Revenant. Not in the sense that it was a purposefully tough movie to watch, but I struggle with it in the sense of trying to respect it on a rational level while despising it on an emotional level. Now I fully admit that I wanted to dislike the movie coming into it, but there are plenty of movies that I’ve only watched solely because they were nominated for Oscars and the quality of the film made me change my mind. Unfortunately, The Revenant was not one of those films.
But that being said, my feeling of the film and your feeling of this film from watching the trailers won’t be changed by seeing the film. To me, the film looked like a journey that I did not want to experience, and I was correct in my assumption. I know people who couldn’t wait to see this film, and it’s one of their all-time favorites. Ultimately, it will not matter what I write in the rest of this review, because how you feel going into the film based upon the trailers and TV spots you’ve seen is basically how you will feel coming out.
Nonetheless, you cannot deny the masterful and technical achievement it took to get this picture made despite what your opinions of the film are. I do not think that having an arduous shoot is a good enough reason to give a film Academy Awards, but there are a plethora of aspects to this film that are technical masterpieces and worth studying in film classrooms for decades to come. Yet it is extremely difficult to respect something you dislike so much.
The group is stranded in the wild, and they rely on Hugh Glass’s expertise and navigational skills to get them back to safety and civilization. One morning, as Glass tracks a route, he comes across a Mama Bear and her cubs. As Glass prepares to kill the animals for fur, the Mama Bear viciously attacks Glass. Similar to the opening sequence, this is another brutal and exhausting scene. The scene is one long take as the bear picks Glass up with her teeth throws him around like a rag doll, leaves, and then comes back and does it again. Almost all of us will never have to experience the torture of being attacked by a bear, but if you ever want to know what it feels like, just watch this scene on repeat.
The scene, much like the movie itself, is a credit to the film’s director Alejandro Gonzalez Inarritu (Birdman, Babel) as well as its cinematographer Emmanuel Lubezki (Birdman, Gravity). It’s daring and unlike anything you’ve seen before. You feel as if you are immersed in this world and you are presented with a type of film-making that makes you feel as if you are there in the action and not watching a film.
The bear attack leaves Glass nearly dead, so Captain Henry orders Fitzgerald, Glass’s son, and another crew member Bridger (Will Poulter) to take care of him while the rest of the crew can forge ahead. While Glass’s son and Bridger are out foraging, Fitzgerald, believing that Glass’s existence is a detriment and believes, for their safety and survival, that killing Glass is the right thing to do, attempts to suffocate Glass. Glass’s son comes across this, and tries to stop Fitzgerald. Fitzgerald kills Glass’s son, believes he has killed Glass, buries him in a shallow grave, and Fitzgerald grabs Bridger and they attempt to catch up with Captain Henry and the others.
For about two more hours after this occurs, The Revenant follows people as they wonder through the snow. We follow Captain Henry, we follow Fitzgerald and Bridger, and we follow Glass himself. For some unknown reason, Glass, through sheer power of will and against seemingly common logic, wills himself out of the grave and crawls through the snow to get his revenge on Fitzgerald. As if I wasn’t already out on the movie as it were, watching people dredge through the snow explaining their thoughts and actions (when there’s even dialogue at all) was just tiring. I didn't care for any of the characters, and I didn’t care if Hugh Glass froze to death like Jack Nicholson at the end of The Shining.
And for all of the technical genius that went into this film, the acting was generic at best. Despite the fact that this film doesn’t get made without him, Leonardo DiCaprio gives his worst performance since Inception. I take that back, he did his best for what the role demanded him and his character to do, but I could only hear him grunting in pain for so long. Leo deserves to have an Academy Award, and it’s not as if when he eventually wins this year he’ll be beating out a more deserving candidate, but it will be frustrating looking back on Leo’s career knowing his first (and hopefully not last) Golden Statute came for this role. Tom Hardy, another great actor who has given great performances over the past few years, also earned himself an Oscar nomination, gets his first nomination for playing a two-dimensional character and grumbling through his lines. Fitzgerald only exists in The Revenant as a foil and a nemesis, and he is overtly the bad guy without any nuance to his personality.
The main things I look for in a movie are characters and story. To me, if you don't have those two things, you don't have a good film on your hands. Unfortunately for The Revenant, those are the main (and probably only) two things the film lacks. The Revenant truly is a spectacle unto itself with incredible direction, cinematography, production design, and costume design among other things. But at the end of the day, those amazing technical aspects don't amount to anything if you can't enjoy the finished product as a whole.
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