Friday, September 18, 2020
Saturday, September 12, 2020
As we recently saw the end of one decade and the start of another, I decided to write my 100 Greatest Films of the 2010's article. After I completed that article, I was inspired to write my 100 Greatest Films of the 1990's post, as I personally think it was one of the greatest decades ever for the art form. As such, we are here so I can discuss the greatest films of the 2000's (films released from 2000 through 2009).
I was initially hesitant to do this list because I felt the decade didn't seem to stand for anything. In some ways, I found this to be true. The 1990's saw the rise of Independent Cinema and thus an overall increase in quality of films released. The 2010's saw the exact opposite of that approach with major studios spending more and more money on bankable franchises. The 1990's saw the rise of auteurs and the 2010's saw the rise of Disney with Marvel and Star Wars franchises dominating the decade. The 2000's were a transition between these two decades. The quality of prestige and Oscar films seem to drop as franchises started to gain steam. The 2000's not only brought us Iron Man, the literal start to the Marvel Cinematic Universe, but it also brought us franchises like Harry Potter, Pirates of the Caribbean, and The Dark Knight. Further, the quality of prestige and Oscar-worthy films seemed to dwindle in the 2000's. The 1990's gave us a murderer's row of excellent Best Picture Oscar winners such as Schindler's List, Unforgiven, and Forrest Gump. Even if the best film of the year didn't win the ultimate prize (as is often the case), the winner still felt deserved and had a long tail thanks to the quality of the film (for most of the decade's winners). The 2000's saw a drop in that as the decade went on. I purposefully left off many Oscar nominated and winning films in exchange for more interesting choices.
That being said, the 2000's did give a rise in two areas: documentaries and comedies. The 1990's saw a rise in making cheap narrative films, and the following decade used that approach to make a wave of compelling documentaries. Starting with Michael Moore 2002's instant classic Bowling For Columbine, the 2000's gave us great doc after great doc. This list by far and away will have the most documentaries than either of my prior two Top 100 lists. Further, this decade saw the rise of Judd Apatow and Adam McKay. Anchorman was released in 2004 and The 40 Year Old Virgin was released in 2005. Both were critical and commercial hits which allowed the filmmakers to ascend to their apex to direct and produce even more comedy gold throughout the decade.
Lastly, I found the 2000's to be the deepest list out of the three Top 100 movies lists that I have done so far. The 1990's were so good that I struggled to leave off good films from my Top 25 and felt that a handful of films outside my Top 10 would have been in it in any other decade. The 2010's weren't quite as strong, but I did feel confident in this films I chose for the top. However, with both lists, I felt that the Bottom 25 were fine, but not great films. I felt the opposite with this 2000's list. I don't feel the top is very strong, but struggled to leave off great films from making the Top 100. Again, this is part of the reason this list doesn't include many prestige and Oscar winning films.
As always, I tried to make this list as objective as possible. Check out the introduction to either of my previous two lists to see how I tried to do that. Further, this post is organized like my 1990's post - at the top is the decade's Top 25 films, each one with a personal essay about it by me. As to not spoil the surprise, these films are ranked 25 to 1. Then, the remaining 75 films are ranked and listed while interwoven with a handful of mini lists such as the Greatest Documentaries of the Decade, the Greatest Animated Films of the Decade and the Greatest Comedies of the Decade That Didn't Make This Top 100 List.
So without further ado, here is the list of the 100 Greatest Films of the 2000's:
Friday, September 11, 2020
Monday, May 18, 2020
As I previously mentioned, I wanted this list to be as objective as possible. I wanted to rank films solely on their quality and how well they have been indoctrinated into our pop culture. I included my own biases of course, but I looked at many outside factors as well. How well received and talked about is the film on Twitter? Are YouTube videos or podcasts made to discuss the film? How often is it a cable rewatch? What did critics think of the film? What did the Academy Awards think of it? The American Film Institute? My friends? My parents? All of this went into consideration in trying to determine the absolute best films of the decade. Although I know you think I'm wrong, we're going to give it a shot anyways.
Saturday, February 29, 2020
Directed By: James Mangold
Starring: Christian Bale & Matt Damon
STARS: 3 out of 4
Why It's Great: Sometimes movie stars just need to be movie stars and charm the fuck out of the audience. We knew Matt Damon was the cream of the crop and his character Carol Shelby gets to smile and charm his way to both Henry Ford II (Tracy Letts) and our hearts. Christian Bale gets to play opposite Damon as the driver Ken Miles and he's equally as compelling. He doesn't need to gain or lose an unhealthy amount of weight and he even gets to use his real accent and proves he can act with Acting. Ford v Ferrari is just a charming, enjoyable experience and one I'm glad to have seen in the theaters. It's also another great notch in James Mangold's belt, because while he has some misses and a lot of *shoulder shrug emoji*, he now gets to add this Best Picture nominee to his other greats like 3:10 to Yuma and Logan to his resume.
Directed By: Olivia Wilde
Starring: Beanie Feldstein & Kaitlyn Dever
STARS: 3 out of 4
Why It's Great: I do get why the people behind Booksmart are a bit peeved when their film is called the female Superbad, but I do think it's the 2019 Superbad. Superbad came out when I was in college and I, like the rest of America, was swept away by it. I still fucking love the movie, but do understand that many of the jokes have not aged, and that movie as is would not be released by any major studio. But if a major studio were trying to capitalized on the success of Superbad in today's "woke climate", Booksmart would be the film released. Instead of the same white horny kid(s) at the center we have two horny women, one of which is gay. One of the main side characters is Black (Jessica Williams) along with one of the lead's crushes (who also happens to be the son of Cuba Cooding Jr). However, most importantly, no one in the film is mean. In the beginning of Superbad, one dude spits on Jonah Hill's character. Sure, some of the characters say some unflattering things about Beanie Feldstein's character, but it's mainly that she's not fun. The movie could have easily said things a million times worse. But that's what makes Booksmart so great. It takes 2019's sensibilities and is still able to mine laugh-out-loud humor that hold up upon rewatch. In an era of anti-bullying and demands for better representation in film, Booksmart is able to deliver AND still be gut-busting hilarious.
Friday, February 7, 2020
Dir. Quentin Tarantino, Music Supervisor Mary Ramos
Wednesday, January 1, 2020
Created By: Damon Lindelof
Starring: Regina King, Jean Smart & Jeremy Irons
Why It's Great: This might be blasphemous to put into writing and have anyone on The Internet have the ability to read it, but I really liked the 2009 Zach Snyder film Watchmen, and I enjoyed the Snyder Cut with an additional 24 minutes even more. I also never read the original Alan Moore comic book either. (What a fun way to start off this list, huh?!). Damon Lindelof did what I expect to this recycled IP, nostalgia culture: he made something wholly new and original, created and explored new and ambitious themes, added in his own unique personality and vision, all while being true to the original work. So sure, at the end we got a whole lot of Dr. Manhattan, and Laurie Blake, and Adrian Veidt, but we also got a show where Regina King's character takes some pills and gets to basically reenact her grandfather becoming the first superhero in America.
Created By: Danny McBride
Starring: Danny McBride, Adam Devine & John Goodman
Why It's Great: Normally, I am not the biggest Danny McBride fan. I liked the first season of Eastbound and Down, but couldn't get far past that, and I couldn't get past the pilot episode of Vice Principals, but for some reason, The Righteous Gemstones got hooked. I know a lot of people think this show was a fun parody of MegaChurch culture, but I always found it more singular. I never felt like it was an examination of the culture as a whole, but of these bad people, many of them hypocrites. As we got to know these particular characters, we were treated with humor and delight. Plus, an awesome video of Jennifer Nettles and TV Legend Walton Goggins singing about Misbeahvin'.
What a helluva year for Lizzo. When you're 100% That Bitch, you can twerk your ass off in a wedding dress while playing the flute and pull it off flawlessly. Not only does every woman love Lizzo and have her as their spirit animal, everyone in America now loves Lizzo.
9) "Blind Leading The Blind" by Mumford and Sons
Gotta love a Mumford and Songs with a driving drum beat. "Blind Leading The Blind" is a classic Mumford and Sons song through the filter of Kings of Leon and I'm all about it.
8) "Woman" by Karen O and Danger Mouse
What does a song sound like when it has the beats of the DJ who made The Grey Album and St. Elsewhere with the lyricist and vocalist of The Yeah Yeah Yeahs? This awesome song is what.