First things first, Edge of Tomorrow is a really, really good film. Despite how dumb you thought the trailer looked or title sounded, Doug Liman’s action version of Groundhog’s Day was a smart and enjoyable film. You look past the initial set up of why the day resets and you focus on the plot and story at hand, and you get a movie that leaves you on the edge of your seat. Sure it’s a summer blockbuster, but it’s a smart, funny, and well-crafted summer blockbuster. I thought the film was so good I put it in my top 10 films of 2014, and I wasn't the only one. The master of pretentiousness Wesley Morris had Edge of as his 6th best film of last year. Edgar Wright, Collider, and The Washington Post all also had Edge of in their top 10 with many more praising the film but having it just miss the cut. The film has a 71 on Metacritic and a 90% on Rotten Tomatoes. Moral of the story: Edge of is just an excellent movie that you should watch if you haven’t already. If you have, then watch it again.
The real question boils down to this: Why does a film like Edge of deserve the prestigious Academy Award nomination? On first blush this answer is simple: action flicks like Edge of just are not good enough to be lumped in with the highfalutin flicks like Foxcatcher or Selma. These films are true works of art and a film like Edge of is just beneath them. That may be how The Academy views action films in general, but this is a result of institutionalism rather than judging the best from the best. When you actually look behind that reasoning you see there’s nothing there. Good is good no matter what the genre is and there is absolutely no reason you can’t compare a film like Edge of or Guardians of the Galaxy to a film like American Sniper or The Grand Budapest Hotel. If a film truly is one of the 8 -10 best films of the year, then it deserves a nomination for Best Picture.