2015 Oscar Preview: Best Picture

THE NOMINEES:

- American Sniper
- Birdman
- Boyhood
- Selma
- The Imitation Game
- The Grand Budapest Hotel
- The Theory of Everything
- Whiplash




WHAT SHOULD BE HERE: Nightcrawler

Recently I wrote about why Edge of Tomorrow should have received a Best Picture nomination, Action flicks and superhero flicks can be good and there's no reason we can't say they're one one the 8 to 10 best films of the year when they're done properly. Star Wars was nominated for Best Picture in 1978. The Dark Knight may not have earned a Best Picture nod, but its snub was the main reason The Academy changed how voters choose the Best Picture nominees. Frankly, the way Hollywood is leaning with more emphasis on Marvel and DC properties and less emphasis on "prestige" films, the Academy might as well steer into the skid.

However, there's no way on God's Green Earth that a film like Edge of Tomorrow or Guardians of the Galaxy was going to get a Best Picture nomination in 2015. A film that actually had a chance to earn a nomination was Dan Gilroy's dark and twisted thriller Nightcrawler. The acting in the film was spectacular, the story was so complex, layered, and nuanced, and it sucked you in from the get go. Just an incredible film and a perfect movie to speak to those 30 and under- which of course is not in The Academy's wheelhouse which is why it didn't receive a nomination.

Click here for my full review of Nightcrawler

From Birdman to Boyhood: The Huge Risks Directors Took This Year

There are two films that I have constantly seen at the top of many critics Best Of lists in 2014: Birdman and Boyhood, with the latter earning almost the consensus top spot on every list I've seen. It's no coincidence that both those films are huge risks and passion projects from their respected directors. Both filmmakers, Richard Linklater for Boyhood and Alejandro Gonzalez Inarritu for Birdman, have a few movies under their belt (obviously Linklater has a tad more than Inarritu) and decided to release their passion project to the world this year; to release a project that many would consider on the riskier side. Last year's big passion project, Gravity, worked out pretty well for its director Alfonso Cuaron both critically and financially, and now Linklater and Inarritu hope for the same. For the time being, both directors have that whole "critical acclaim" down pat and both look like the two huge players as award season has just started to heat up. As we go down the rabbit hole for the next couple of months and more and more people start talking about these film, the real question is: Should you go out and see them? I'm sure the people, like professional critics, who watch five movies a day appreciated the work these directors did and that paid off in terms of ending up on Year End lists, but should you, the average movie goer go see them? Just because Linklater and Inarritu took risks, doesn't mean they paid off.