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Showing posts with label Best Films. Show all posts
Showing posts with label Best Films. Show all posts

Saturday, September 12, 2020

100 Greatest Films of the 2000's

As we recently saw the end of one decade and the start of another, I decided to write my 100 Greatest Films of the 2010's article. After I completed that article, I was inspired to write my 100 Greatest Films of the 1990's post, as I personally think it was one of the greatest decades ever for the art form. As such, we are here so I can discuss the greatest films of the 2000's (films released from 2000 through 2009).

I was initially hesitant to do this list because I felt the decade didn't seem to stand for anything. In some ways, I found this to be true. The 1990's saw the rise of Independent Cinema and thus an overall increase in quality of films released. The 2010's saw the exact opposite of that approach with major studios spending more and more money on bankable franchises. The 1990's saw the rise of auteurs and the 2010's saw the rise of Disney with Marvel and Star Wars franchises dominating the decade. The 2000's were a transition between these two decades. The quality of prestige and Oscar films seem to drop as franchises started to gain steam. The 2000's not only brought us Iron Man, the literal start to the Marvel Cinematic Universe, but it also brought us franchises like Harry Potter, Pirates of the Caribbean, and The Dark Knight. Further, the quality of prestige and Oscar-worthy films seemed to dwindle in the 2000's. The 1990's gave us a murderer's row of excellent Best Picture Oscar winners such as Schindler's List, Unforgiven, and Forrest Gump. Even if the best film of the year didn't win the ultimate prize (as is often the case), the winner still felt deserved and had a long tail thanks to the quality of the film (for most of the decade's winners). The 2000's saw a drop in that as the decade went on. I purposefully left off many Oscar nominated and winning films in exchange for more interesting choices. 

That being said, the 2000's did give a rise in two areas: documentaries and comedies. The 1990's saw a rise in making cheap narrative films, and the following decade used that approach to make a wave of compelling documentaries. Starting with Michael Moore 2002's instant classic Bowling For Columbine, the 2000's gave us great doc after great doc. This list by far and away will have the most documentaries than either of my prior two Top 100 lists. Further, this decade saw the rise of Judd Apatow and Adam McKay. Anchorman was released in 2004 and The 40 Year Old Virgin was released in 2005. Both were critical and commercial hits which allowed the filmmakers to ascend to their apex to direct and produce even more comedy gold throughout the decade. 

Lastly, I found the 2000's to be the deepest list out of the three Top 100 movies lists that I have done so far. The 1990's were so good that I struggled to leave off good films from my Top 25 and felt that a handful of films outside my Top 10 would have been in it in any other decade. The 2010's weren't quite as strong, but I did feel confident in this films I chose for the top. However, with both lists, I felt that the Bottom 25 were fine, but not great films. I felt the opposite with this 2000's list. I don't feel the top is very strong, but struggled to leave off great films from making the Top 100. Again, this is part of the reason this list doesn't include many prestige and Oscar winning films. 

As always, I tried to make this list as objective as possible. Check out the introduction to either of my previous two lists to see how I tried to do that. Further, this post is organized like my 1990's post - at the top is the decade's Top 25 films, each one with a personal essay about it by me. As to not spoil the surprise, these films are ranked 25 to 1. Then, the remaining 75 films are ranked and listed while interwoven with a handful of mini lists such as the Greatest Documentaries of the Decade, the Greatest Animated Films of the Decade and the Greatest Comedies of the Decade That Didn't Make This Top 100 List. 

So without further ado, here is the list of the 100 Greatest Films of the 2000's:

Saturday, June 8, 2019

100 Greatest Films of the 2010's

Trying to create a list of the 100 best films within a 10 year span is a daunting task. I have been working on this post for the past 8 months, and I will continue to tweak it as the year goes along (as I consider your feedback as well as to include more films from 2019 on the list). However, it is not the inherent time it takes to think and rank and write about 100+ films, it's knowing that you're going to be inherently wrong. Even when I floated my top 10 to my friends, people with similar movie tastes to me, I couldn't get a consensus. Yet despite this, I persevered, and moved forward. Every year I create my own personal Best Of lists, but that's not what I wanted this list to be. I wanted this list to be as objective as possible. I wanted to rank films solely on their quality and how well they've pierced our pop culture. I included my own biases of course, but I looked at many outside factors as well. How well received and talked about is the film on Twitter? Are YouTube videos or podcasts made to discuss the film? How often is it a cable rewatch? What did critics think of the film? What did the Academy Awards think of it? My friends? My parents? All of this went into consideration in trying to determine the absolute best films of the decade. Although I know you think I'm wrong, we're going to give it a shot anyways.


1) The Social Network (2010)
Directed By: David Fincher
Written By: Aaron Sorkin
Starring: Jesse Eisenberg, Andrew Garfield, & Armie Hammer
RT Score: 95%

Why It's Great: It's pretty easy to have a great film when it's written by the premiere screenwriter of our time and directed by one the greatest working directors of our time. That collaborative marriage of David Fincher's perfectionism pushing Aaron Sorkin to justify his script and snappy dialogue helped create probably the best work each of them has ever done. The Social Network is a master class in writing, directing, acting, editing, and score. If you needed proof of that, just look at the film's best scene - a regatta race between the the Winklevoss twins and the Dutch. The way the cuts get quicker and the tempo of Trent Reznor's and Atticus Ross' score builds to create a mesmerizing scene on its own and to show how this is partly a story of how the brothers Winklevii are always a step behind is mesmerizing. It's no surprise that Sorkin, Reznor, Ross, and editors Kirk Baxter and Angus Wall all won Academy Awards for their work. 

I'm impressed with the film's casting choices as well. At the time, Andrew Garfield (Eduardo Savarin), Armie Hammer (Winklevoss twins), Rooney Mara (Erica Albright). Max Minghella (Divya Narendra), and Brenda Song (Christy) were all relatively unknown, and have all since gone on to various levels of fame and fortune. Even Eisenberg, who had a few films under his belt at the time, wasn't a household name at the time, is now one thanks to this film. It's even fun to see Fifty Shades of Grey star Dakota Johnson pop in for a brief cameo. The film's cast had aged beautifully over time, but The Social Network's ability to have its themes and story be so resonant ten years later about the preeminent company of our generation is what separates this great film from the rest. A movie about Facebook's expansion and need for growth, despite the harms that come in its wake, is sadly still just as relevant now in 2020 as it was when it came out in 2010. Because The Social Network is the perfect emblematic representation of the 2010's, it's the #1 film of the decade. 


2) Mad Max: Fury Road (2015)
Co-Written & Directed By: George Miller
Starring: Charlize Theron, Tom Hardy, & Nicholas Hoult
RT Score: 97%

Why It's Great: I have only seen this film once, and I was not the biggest fan of it, but even I can marvel at its technical brilliance and realize how Mad Max: Fury Road has cemented this film as probably the best film of this generation. The film is basically one giant car chase scene, but it's so much more than that. Miller is able to introduce us and immerse us in this patriarchal world. The film is a feminist anthem about destroying a system and starting anew. We know so much about this world system without any overt exposition dialogue or clunky narratives. Miller shows us bits and pieces and nuances together to create something fully formed yet brief. It just is, and then we're thrust into action. It's no surprise this film took home 6 Oscars, because it is a technical sensation. Just a treat all around.


3) The Wolf of Wall Street (2013)
Directed By: Martin Scorsese
Written By: Terence Winter
Starring: Leonardo DiCaprio, Jonah Hill, & Margot Robbie
RT Score: 78%

Why It's Great: Whether it's the excess run time of the film, or the excess, abhorrent lifestyle of the real life of the main character (played by DiCaprio in the film) and how he's portrayed in The Wolf of Wall Street, you can't say that Jordan Belfort isn't at least interesting. I understand the criticisms, and truthfully they are all pretty much valid, but Martin Scorsese has created such a brilliant work of art that the film he gifted to us that we need to treat it like the bona fide masterpiece that it is. There have been so many films that have tried to be Scorsese (like Todd Phillips' War Dogs or Craig Gillespie's I, Tonya) or many films that would have been improved had Scorsese been behind the wheel (like Scott Cooper's Black Mass) that we need to reward Scorsese when he creates a quintessential classic for his oeuvre.