My Top 20 Favorite Shows of 2015

20) Fargo (FX)
Season 2
Created By: Noah Hawley

Thoughts: I have no doubt that Season 2 of Fargo will end up being #1 on many people's year end list, but for me, the FX show almost didn't crack my Top 20. However, I started comparing it against other shows for this last spot (Catastrophe, You're The Worst, Community) and I realized no other show in competition with Fargo made me tune in every week to see what fascinating and exciting new adventure was awaiting me. I absolutely believe that season 1 of Fargo- as a result of better and more interesting characters (both main ones like the ones played by Billy Bob Thornton, Martin Freeman, and Allison Tolman, but also the minor characters like the ones played by Glenn Howerton and Kate Walsh)- is better than this current season, but that shouldn't take away from my enjoyment for what Noah Hawley and company created in 2015. Also, please give Bokeem Woodbine all the awards.

19) Mr. Robot (USA)
Season 1
Created By: Sam Esmail

Thoughts: When Fargo's Noah Hawley spoke with Andy Greenwald to promote his show, he never referred to his product as a "show"- he always referred to it as a movie. Television shows have become more serialized than ever nowadays that they basically are 10-13 hour long movies. This concept couldn't be more true than with Sam Esmail's great, of-the-times masterpiece Mr. Robot. Esmail starting writing a script for his new movie that was so long that he just decided to make it a television series. Season 1 of USA's amazing new show about a schizophrenic hacker trying to take down the fictional E-Corp was just Esmail's first act. If this is just beginning, then I can't wait to see what's in store for Seasons 2 and 3. Also, check out Sam Esmail's interview with Andy Greenwald, but only after you've been on the exhilarating roller coaster that was Season 1 of Mr. Robot.

Click here to read my thoughts on how Goodfellas influenced Mr. Robot's voice over

18) Other Space (Yahoo!)
Season 1
Created By: Paul Feig

Thoughts: I originally came to Other Space thanks to Yahoo! airing the sixth (and hopefully final) season of Community, but I stayed thanks to Paul Feig's (you know, the guy that brought us Freaks and Geeks and Bridesmaids) simple yet hilarious new show. While I don't expect Yahoo! to air a second season of Other Space thanks to the massive amount of money they lost trying to get into the television game, I still enjoyed the 8 episode first and final season. The premise of the show is straight-forward, a small group of 20-something's in a Star Trek -esque Star Fleet Academy get lost in space and attempt to get back home; however, the success was in the execution. The humor works thanks to the relationships the show was able to give us from the get go, and it turns out those actors you see in commercials are actually great when given a larger opportunity.

My Top 10 Favorite TV Episodes of 2015

Alan Sepinwall from Hitfix.com wrote an excellent article a few weeks ago defending the seemingly now lost art of the singular episode. While it was not the inspiration for this article as I've done the best television episodes in a given year before, it is a great read (like almost all of Alan Sepinwall's pieces are) and an excellent introduction into this article.

Since I will be discussing the specific episodes as well as the specific season of the show, obviously each blurb will contain lots of spoilers.

10) "One Last Ride"
Parks and Recreation (NBC)
Episodes 12 & 13, Season 7
Written By: Michael Schur & Amy Poehler / Directed By: Michael Schur

Thoughts: Ever since the first episode of the show's second season, Parks and Recreation has been one of the best comedies on television. The show has been so consistent and operating on a higher plane than almost everything else on TV. That's what makes choosing a single episode from the show to make this list so difficult. However, with Parks and Recreation's final season, I had to go with the two-part series finale. The show has always been optimistically hopeful, and held the belief that when you do good, good will come back to you. That's what made the finale so satisfying. We got a chance to glimpse into the future of all of the major characters we care about and see the greatness that awaited for them throughout their lives.

9) "Rhinoceros"
Fargo (FX)
Episode 6, Season 2
Written By: Noah Hawley / Directed By: Jeffrey Reiner

Thoughts: I hadn't much cared for Season 2 of Fargo until they aired "Rhinoceros" aka Assault on Precinct Minnesota. While the classic trope of outlaws staging a coup on a small town police force to rescue 'one of their own' who's been imprisoned could have sunk the show for me, it was Noah Hawley's execution and Nick Offerman's silver tongue that turned a cliche into a classic. Part of what made Season 1 so great were the secondary and tertiary characters that you loved and cared about, and Season 2 of Fargo didn't have that until Offerman's Karl Weathers had to drunkenly protect his friends using only his vocal chords, charisma, and power of persuasion. The highs of Season 2 (which is essentially this episode) haven't lived up to the highs of the first season IMO, but I'll still enjoy a great episode when I see it.

Marvel's Small World Creative Success with Daredevil and Jessica Jones

In 2015, Netflix released two Marvel produced television shows- Daredevil and Jessica Jones. Both shows are excellent and will earn a spot in my end-of-year Top 20 list. There are many reasons why both of these shows are so good, but the main reason they work is because their stories are simple and their world is very small. Both of these stories take place in a small section of New York City (Hell's Kitchen) and tell a straightforward hero vs. villain story. Despite the fact that Daredevil and Jessica Jones will eventually team up and form The Defenders (along with Luke Cage and Iron Fist who will eventually get their own stand alone shows), their stories are self-contained.

Daredevil is an origin story telling defense attorney Matt Murdock's (Charlie Cox) rise becoming the superhero vigilante Daredevil in Hell's Kitchen. Early on, Daredevil discovers a crime syndicate run by Wilson Fisk (a.k.a Kingpin) played by Vincent D'Onfrio. Kingpin runs his gang mainly within Hell's Kitchen, and Daredevil spends 13 episodes finding and fighting Kingpin. Daredevil spends the first act discovering a sex traffic ring, the second act figuring out that Kingpin is the head of that ring (among many other criminal activities), and the third act bringing him down. It follows traditional superhero tropes (albeit the execution is darker and more effective that most), but its story follows one hero and his journey.

The Influence of Goodfellas' Voice Over Narration on Mr. Robot and Narcos

"...and God help you if you use voice-over in your work, my friends. God help you! It's flaccid, sloppy writing. Any idiot can write voice-over narration to explain the thoughts of a character. You must present the internal conflicts of your character in action."

Robert McKee (Brian Cox), Adaptation

Anyone who has ever taken an introduction to film writing class (raises hand) knows that it is a Cardinal Sin to use voice-over work. You are supposed to, say it with me now, show, not tell. However, we know that this generic, broad rule is not true. It's not that you're never allowed to use voice-over work, it is that you're not allowed to use it as a crutch for your storytelling and character development. However, this archaic belief that you are never allowed to use voice-over means that it's rarely used in the visual medium. That means when it is used, it's seemingly always discussed. That's why it has become a discussion point for two of 2015's best (and new) show TV shows of the year- USA's Mr. Robot and Netflix's Narcos- both of which owe a debt of gratitude to The Godfather of voice-overs: Goodfellas.

Goodfellas is most certainly not the first film to use voice-over. Blade Runner used voice-over. A Clockwork Orange used voice-over. Most film noir films used voice-over. However, Goodfellas perfected and solidified the use of voice-over. The film follows Henry Hill (Ray Liotta) and uses his narration to describe his ascent and fall from his mafioso life. The film starts off with Hill saying, "As far back as I can remember, I always wanted to be a gangster" and uses Hill's perspective to tell this incredible story of his life in the mob. The use of voice-over is effective in multiple ways throughout the film. We get a clear vantage point for how this story is told, we're able to get a sense of how deep and connected this world is, and it's even used to heightened tension and advance plot. Director Martin Scorsese still gives you wonderful characters- Joe Pesci won his sole Academy Award for his work in the film- and gives you an interesting and engaging take on the mob genre, but also uses voice-over to coalesce the entire project and gel everything together.

There are a lot of things that make Goodfellas IMDB.com's 17th best movie of all time and rank it on AFI's top 100 list, but there should be no denying that Ray Liotta's voice over work is one of those reasons. Goodfellas' voice over just works, and because it was so effective, it helped inspire movies and TV shows for years and decades to come.