Disney Almost Erases Decades of Misogyny with Zootopia. Almost.

Early on in Disney's newest animated feature Zootopia, our hero, a bunny named Judy Hopps, voiced by Gennifer Goodwin, enters the police station in which she'll be working for the first time. She's greeted by a huge (pun intended) cheetah named Clawhauser, voiced by Nate Torrence, who comments on how cute Judy is. Judy responds by saying that only other bunnies can call each other cute, but not other animals. Clawhauser sheepishly apologizes for his ignorance and helps direct Judy to her first ever police briefing.

In a way, Zootopia is an apology for the decades of both overt and latent misogyny its released in the world over the past decades. Whether it's one of their earlier films like Sleeping Beauty or Snow White and the Seven Dwarfs which taught girls to sit quietly while you wait for a man to save you, or one of their later films like The Little Mermaid which teaches young girls to actively be quiet while you attempt to lure your crush with only your looks, Disney studios does not have a good track record of helping to mold the minds and attitudes of young females. Which is unfortunate considering how instrumental they are in their development.

2016 Oscar Preview: Best Supporting Actor

THE NOMINEES:

- Christian Bale (The Big Short)
- Tom Hardy (The Revenant)
- Mark Ruffalo (Spotlight)
- Mark Rylance (Bridge of Spies)
- Sylvester Stallone (Creed)

WHO SHOULD BE HERE: Idris Elba (Beasts of No Nation)

You can maybe make an legitimate argument that the reason for #OscarsSoWhite is because Creed led a horrible Oscar campaign and Straight Outta Compton really wasn’t that good of a movie. However, there is no good excuse for why Idris Elba (or even Jason Mitchell who plays Easy-E in Compton, aren’t here) Obviously Compton ran an Oscar campaign considering the other nods it got, and I find it hard to believe Netflix didn’t run a fierce campaign for Beasts (Netflix even ran the film in traditional theaters just so it was Oscar eligible).

in Beasts of No Nation, Idris Elba plays The Commandant, a warlord in a fictionalized war-town African country that leads a group of very young boys into battles. Elba’s charisma that inspires his “troops” also sucks you into and engages you throughout the entire film. He’s a despicable man and does horrendous things (both to the opposition and to his own soldiers), yet you’re never not entertained. Elba gave one of the best acting performances of the year (even his fellow actors thought so) and it’s a damn shame The Academy didn’t recognize it.

THOUGHTS AND MUSINGS ON THE NOMINATIONS:

#OscarsSoWhite: Does The Academy Have A Race Problem? Part II

The #OscarsSoWhite hashtag was born in 2014 after the 2015 Oscar nominations were released. The Academy failed to nominate an actor or director of color which led many of us to ponder the state of this seemingly antiquated institution. I even chimed in on the issue wondering if The Academy had a race problem last year. Last year, I felt as if the lack of nominations for people was not the fault of The Academy, but basically the result of Hollywood’s latent racism. I didn’t feel as if it was The Academy’s fault that they weren’t able to nominate quality from people of color that wasn’t there (and frankly even if The Academy did nominate Selma, the larger lack of quality to choose from still remains).

However, that argument just doesn’t hold as much water today where, for the second year in a row, the Oscars are still so white. There most certainly is still a lack of opportunity for people of color to tell their stories, but there were plenty of deserving nominations for people of color at this year’s Oscars and plenty of ways to make the Oscar nominations more diverse while still honoring craft and talent.