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Wednesday, January 13, 2016

The 10 Best Singles of 2015

10) "Downtown" by Macklemore & Ryan Lewis



9) "Elastic Heart" by Sia



8) "Uma Thurman" by Fallout Boy



7) "Hello" by Adele



6) "Ex's and Oh's" by Elle King



5) "Hotline Bling" by Drake



4) "Here" by Alessia Cara



3) "Confident" by Demi Lovato 



2) "Can't Feel My Face / In The Night" by The Weeknd



1) "Style / Blank Space / Wildest Dreams" by Taylor Swift


Tuesday, December 8, 2015

My Top 20 Favorite Shows of 2015

20) Fargo (FX)
Season 2
Created By: Noah Hawley

Thoughts: I have no doubt that Season 2 of Fargo will end up being #1 on many people's year end list, but for me, the FX show almost didn't crack my Top 20. However, I started comparing it against other shows for this last spot (Catastrophe, You're The Worst, Community) and I realized no other show in competition with Fargo made me tune in every week to see what fascinating and exciting new adventure was awaiting me. I absolutely believe that season 1 of Fargo- as a result of better and more interesting characters (both main ones like the ones played by Billy Bob Thornton, Martin Freeman, and Allison Tolman, but also the minor characters like the ones played by Glenn Howerton and Kate Walsh)- is better than this current season, but that shouldn't take away from my enjoyment for what Noah Hawley and company created in 2015. Also, please give Bokeem Woodbine all the awards.


19) Mr. Robot (USA)
Season 1
Created By: Sam Esmail

Thoughts: When Fargo's Noah Hawley spoke with Andy Greenwald to promote his show, he never referred to his product as a "show"- he always referred to it as a movie. Television shows have become more serialized than ever nowadays that they basically are 10-13 hour long movies. This concept couldn't be more true than with Sam Esmail's great, of-the-times masterpiece Mr. Robot. Esmail starting writing a script for his new movie that was so long that he just decided to make it a television series. Season 1 of USA's amazing new show about a schizophrenic hacker trying to take down the fictional E-Corp was just Esmail's first act. If this is just beginning, then I can't wait to see what's in store for Seasons 2 and 3. Also, check out Sam Esmail's interview with Andy Greenwald, but only after you've been on the exhilarating roller coaster that was Season 1 of Mr. Robot.

Click here to read my thoughts on how Goodfellas influenced Mr. Robot's voice over


18) Other Space (Yahoo!)
Season 1
Created By: Paul Feig

Thoughts: I originally came to Other Space thanks to Yahoo! airing the sixth (and hopefully final) season of Community, but I stayed thanks to Paul Feig's (you know, the guy that brought us Freaks and Geeks and Bridesmaids) simple yet hilarious new show. While I don't expect Yahoo! to air a second season of Other Space thanks to the massive amount of money they lost trying to get into the television game, I still enjoyed the 8 episode first and final season. The premise of the show is straight-forward, a small group of 20-something's in a Star Trek -esque Star Fleet Academy get lost in space and attempt to get back home; however, the success was in the execution. The humor works thanks to the relationships the show was able to give us from the get go, and it turns out those actors you see in commercials are actually great when given a larger opportunity.

Sunday, December 6, 2015

My Top 10 Favorite TV Episodes of 2015

Alan Sepinwall from Hitfix.com wrote an excellent article a few weeks ago defending the seemingly now lost art of the singular episode. While it was not the inspiration for this article as I've done the best television episodes in a given year before, it is a great read (like almost all of Alan Sepinwall's pieces are) and an excellent introduction into this article.

Since I will be discussing the specific episodes as well as the specific season of the show, obviously each blurb will contain lots of spoilers.


10) "One Last Ride"
Parks and Recreation (NBC)
Episodes 12 & 13, Season 7
Written By: Michael Schur & Amy Poehler / Directed By: Michael Schur

Thoughts: Ever since the first episode of the show's second season, Parks and Recreation has been one of the best comedies on television. The show has been so consistent and operating on a higher plane than almost everything else on TV. That's what makes choosing a single episode from the show to make this list so difficult. However, with Parks and Recreation's final season, I had to go with the two-part series finale. The show has always been optimistically hopeful, and held the belief that when you do good, good will come back to you. That's what made the finale so satisfying. We got a chance to glimpse into the future of all of the major characters we care about and see the greatness that awaited for them throughout their lives.


9) "Rhinoceros"
Fargo (FX)
Episode 6, Season 2
Written By: Noah Hawley / Directed By: Jeffrey Reiner

Thoughts: I hadn't much cared for Season 2 of Fargo until they aired "Rhinoceros" aka Assault on Precinct Minnesota. While the classic trope of outlaws staging a coup on a small town police force to rescue 'one of their own' who's been imprisoned could have sunk the show for me, it was Noah Hawley's execution and Nick Offerman's silver tongue that turned a cliche into a classic. Part of what made Season 1 so great were the secondary and tertiary characters that you loved and cared about, and Season 2 of Fargo didn't have that until Offerman's Karl Weathers had to drunkenly protect his friends using only his vocal chords, charisma, and power of persuasion. The highs of Season 2 (which is essentially this episode) haven't lived up to the highs of the first season IMO, but I'll still enjoy a great episode when I see it.

Sunday, November 29, 2015

The Death of Network Sitcoms

Seinfeld is not only the greatest sitcom ever made in the history of television, but it might be the greatest show of all time. The show ran for nine seasons, and still holds up remarkably well 15+ years after it went off of the air. Despite the fact that multiple stations (and now Hulu) run Seinfeld multiple times a day and we've all seen every episode at least 50 times, the show is still hysterical. And yet Seinfeld almost didn't happen. The pilot episode of the former NBC show (at the time it was called The Seinfeld Chronicles) was so bad (and it is bad) that it almost never made it to air. Luckily, there were executives at NBC who believed in the show and kept it around, and Seinfeld went on to become a mega-smash hit.

Unfortunately, we might never see another Seinfeld again. We live in an Era of Too Much Good TV. There are many benefits to Peak TV, but one of the major downsides is that you need to be good immediately. There are just too many other good shows to exist, that if your show if just mediocre, people will bail and watch something else. That creates a problem for sitcoms, as they're rarely great (or even good) right away. Seinfeld deserved its bad ratings and negative test focus reviews, but it also deserved to stay on the air and get the benefit of the doubt from NBC. Comedies almost always get better, and just because you're bad now doesn't mean you can't be great later.

Saturday, November 28, 2015

Marvel's Small World Creative Success with Daredevil and Jessica Jones

In 2015, Netflix released two Marvel produced television shows- Daredevil and Jessica Jones. Both shows are excellent and will earn a spot in my end-of-year Top 20 list. There are many reasons why both of these shows are so good, but the main reason they work is because their stories are simple and their world is very small. Both of these stories take place in a small section of New York City (Hell's Kitchen) and tell a straightforward hero vs. villain story. Despite the fact that Daredevil and Jessica Jones will eventually team up and form The Defenders (along with Luke Cage and Iron Fist who will eventually get their own stand alone shows), their stories are self-contained.

Daredevil is an origin story telling defense attorney Matt Murdock's (Charlie Cox) rise becoming the superhero vigilante Daredevil in Hell's Kitchen. Early on, Daredevil discovers a crime syndicate run by Wilson Fisk (a.k.a Kingpin) played by Vincent D'Onfrio. Kingpin runs his gang mainly within Hell's Kitchen, and Daredevil spends 13 episodes finding and fighting Kingpin. Daredevil spends the first act discovering a sex traffic ring, the second act figuring out that Kingpin is the head of that ring (among many other criminal activities), and the third act bringing him down. It follows traditional superhero tropes (albeit the execution is darker and more effective that most), but its story follows one hero and his journey.

Tuesday, October 27, 2015

#PoorLeo: Leonardo DiCaprio's Failure Playing The Oscar Game

On January 16, 2014, Leonardo DiCaprio was nominated for his 4th acting Academy Award for his performance as Jordan Belfort in Martin Scorsese's The Wolf of Wall Street. On March 2, 2014, Leonardo DiCaprio lost his 4th acting Academy Award as Matthew McConaughey beat DiCaprio for his work in Dallas Buyers Club. The Internet exploded after this loss. There was no shortage of memes, .gifs, and tweets surrounding the subject. My personal favorite comment of the night was this comment. After nearly spending his entire life in show business and having zero Academy Awards to show for it, it certainly appears as if The Academy hates Leo. While that's obviously not true as no man with five total Oscar nominations can ever truly say The Academy dislikes him, it does seem that after Leo has tried so hard to win and has come up short every single time that Leo will never win that Golden Statute.

Leonardo DiCaprio has a new movie coming out this Oscar season called The Revenant. It's made by Alejandro Gonzalez Inarritu- the man who just won two Academy Awards for directing and producing Birdman a few months ago- and the Oscar hype train for Leo has already started. Leo has already stated how grueling and agonizing the filming conditions were, how he ate raw bison meat, and how he actually slept in an animal carcass. He is certainly setting the stage early and creating a narrative for himself in hopes in endear himself to other Oscar voters. Yet the mood that I am sensing from people not in the industry is the same one my wife had after she saw a trailer to The Revenant, "Well, that's another film Leo isn't going to win an Oscar for."

I am not suggesting that Leo will not win an Academy Award for The Revenant just because he hasn't won one before, I am saying that he will not win one for his role in the film because Leo has a fundamental misunderstanding of how The Game is played. I have no idea if Leo will or won't get nominated for his work in Inarritu's latest, but I do know that he will not win.

You can claim talent and performance all you want until you're blue in the face, but talent and quality is not indicative of Oscar success. It's why Dances With Wolves can defeat Goodfellas for Best Picture, why The Social Network can get screwed by The King's Speech, and why Leo won't win for his work in The Revenant. The Academy Awards are not an objective opinion of who or what is best, it's an opinion by a very small, non-diverse, closed-minded group of what they collectively think is best. To The Academy's credit (detriment?), they are consistent on what they determine is best, and for some reason, Leo hasn't figured this out yet.

Monday, October 19, 2015

My Review of The Martian and How It Helped Resurrect Ridley Scott's Career

“I’m pretty much fucked.”

This is the first line in Andy Weir’s 2011 novel The Martian, but it might as well have been the words uttered by director Ridley Scott after his 2014 film Exodus: Gods and Kings was released. Exodus did end up making its money back (assuming the marketing budget wasn’t astronomical- which it might have been) but it’s 27% on Rotten Tomatoes (RT) was just another film in the laundry list of terrible Ridley Scott films that he’s made within the past 15 years. Ridley Scott will be remembered as an all-time great director thanks to BladerunnerAlien, and Gladiator, but since the release of 2001’s Black Hawk Down, Scott has made a lot of terrible films including 2013’s The Counselor (35% on RT), 2010’s Robin Hood (43% on RT), 2008’s Body of Lies (54% on RT), 2005’s Kingdom of Heaven (39% on RT), 2006’s A Good Year (25% on RT), and 2012’s Prometheus (which I don’t care what RT says about this one, this was a huge disappointment among all Ridley Scott fans and fans of the Alien franchise). Certainly Scott has made some good films including 2003’s Matchstick Men and 2007’s American Gangster, but the perception on Ridley Scott as recently as the summer of 2015 was that this was a man who seemingly forgot how to direct.