2016 Oscar Preview: Best Original Screenplay

THE NOMINEES:

- Bridge of Spies (Matt Chairman & The Coen Brothers)
- Ex Machina (Alex Garland)
- Inside Out (Pete Docter, et. al)
- Spotlight (Josh Singer & Tom McCarthy)
- Straight Outta Compton (Jonathan Herman & Andrea Berloff)

SHOULD BE HERE: Anomalisa (Charlie Kaufman)

In an era where Hollywood is making pictures based upon already existing name brands, the contenders that have a legitimate stake at being a snub in this category is deep. People love Mad Max: Fury Road and I would champion for films like The Hateful Eight, Creed, and Dope. However, one of my favorite films of the year is Anomalisa. A lot of the success of the film is through the final direction by Kaufman and the use of only three voices in the film, but even without that, Kaufman wrote a brilliant script about a man struggling to deal with the banalities of life. I think it's an incredible script and has several little nuances to it that I didn't realize until after I started thinking of the film days later.

THOUGHTS AND MUSINGS ON THE NOMINATIONS:

2015 Oscar Preview: Best Screenplay

BEST ORIGINAL SCREENPLAY

THE NOMINEES:

- Birdman (Alejandro Gonzalez Inarritu, et al.)

- Boyhood (Richard Linklater)

- Foxcatcher (E. Max Frye & Dan Futterman)

- Nightcrawler (Dan Gilroy)

- The Grand Budapest Hotel (Wes Anderson)

WHAT SHOULD BE HERE: Selma (Paul Webb)

Paul Webb first deserves all the credit in the world for calling his script Selma as opposed to obvious "King", or really anything involving Dr. Martin Luther King Jr's name. The film is not a true biopic of Dr King's life, but rather it just focuses on a certain time in his life protesting in Selma, Alabama. The title tells us this right off of the bat. One of the many problems with Lincoln was that the title lead us to believe we were getting an Abraham Lincoln biopic, when in fact we were just getting a perspective of Lincoln's life trying to get the 13th Amendment passed. There are a lot of similarities between Lincoln and Selma, but like most things, Selma stands head and shoulders above Lincoln. Further, Webb does a fantastic job of telling the audience the certain grunt work it takes to start a revolution, and by doing so, he not only created an entertaining film, but he managed to do so while only focusing on one major character. It's really hard to create a good film while writing so many two-dimensional characters as Selma had.

Lastly, I have no idea why Selma would have been considered an original script. I understand that Paul Webb didn't work off of a particular book, movie, or newspaper article, but he also didn't write this entire script from the top of his head either. Webb almost certainly looked through historical documents in order to tell even a half-accurate story. Movies like Nightcrawler and The Grand Budapest Hotel are works that are solely the product of a writer sitting down in a room and using their creativity to craft stories and characters. Webb had to do a touch more work than that.

Click here to read my full review of Selma

2014 Oscar Preview: Best Screenplay

BEST ADAPTED SCREENPLAY

NOMINEES:

- Before Midnight (Ethan Hawke, Julie Delpy, Richard Linklater)

- Captain Phillips (Billy Ray)

- Philomena (Steve Coogan, Jeff Pope)

- 12 Years A Slave (John Ridley)

- The Wolf of Wall Street (Terrence Winter)

SHOULD BE HERE: The Place Beyond The Pines (Derek Cianfrance, Ben Coccio, Darius Marder)

The main reason The Place Beyond The Pines is such an excellent film was because of the script. The style used throughout in combination with the unconventional story telling makes this script easily one of the best of the year. I could go into all sorts of detail about how great the script is, but then I'd ruin the movie for you. Just go rent it now.

2013 Oscar Preview: Best Original Screenplay

Click here for my introduction

NOMINEES

• Amour (Michael Haneke)
• Django Unchained (Quentin Tarantino)
• Flight (Michael Gatins)
• Moonrise Kingdom (Wes Anderson and Roman Coppola)
• Zero Dark Thirty (Mark Boal)

MY THOUGHTS