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Tuesday, February 24, 2015

A Farewell To Parks and Recreation

The first season of Parks and Recreation, which thankfully is only six episodes long, is horrendous. It's still close to being unwatchable to this day. Having left The Office midway through its run, writers Michael Schur and Greg Daniels tried to create a second version of that show with Amy Poehler taking on Steve Carell's role. It was a disaster. I started watching Parks and Rec when it originally aired because the trailers looked funny and I was excited to see a vehicle for former SNL alum Amy Poehler. Then I quickly bailed after seeing the final results.

Despite the train wreck that was Season One, NBC, for some reason, greenlit the show for a second season. I did not watch it, but my roommate at the time did. He gave the show another chance and tried to convince me to do the same. I was rightfully skeptical at the time, but he did just get me hooked on It's Always Sunny In Philadelphia, so I gave him the benefit of the doubt. I watched Episode One of Season Two and from the beginning moments where Leslie Knope starts rapping The Fresh Prince's "Parents Just Don't Understand", the show that we all know and love not only stopped being bad, but became one of the greatest sitcoms of all time. The show has never looked back since, and I was hooked.

Monday, February 23, 2015

What Does The 2015 Academy Awards Say About Future Oscar Predictions

BEST PICTURE AND BEST DIRECTOR

In 2013 and 2014, the winner of Best Director and the winner of Best Picture came from different films. In 2013, Life of Pi's director Ang Lee won Best Director defeating the hypothetical nominee Ben Affleck. We'll never know if Ben Affleck had received an Oscar nomination if Argo still would have won Best Picture, but since the Director's Guild of America Awards gave Affleck a nomination (and eventual win), there was clearly strong support for the film and the director before and after the Oscar snub.

In 2014, 12 Years A Slave won Best Picture yet its director Steve McQueen lost to the eventual winner- Gravity's Alfonso Cuaron. Neither win was a surprise as both 12 Years A Slave and Cuaron were each the favorite to win their respected categories before the 2014 Oscars.

In 2015, I think we were conditioned to have some sort of split with many predicting Boyhood's Richard Linklater to win Best Director and Birdman winning Best Picture. I think that was a condition of the past two years and not seeing the broader picture. Almost always, the Best Picture and Best Director come from the same picture and that held true for the 2015 Academy Awards.

Further, do not doubt the DGA! Not only are they an incredible predictor of who will eventually go on to win Best Director, but they also are a great predictor of Best Picture as well. Birdman was both the DGA and the Producer's Guild of America (PGA) Award winner, which means it was going to win their respected Oscar statutes.

BEST SCREENPLAY

A lot of people expected The Grand Budapest Hotel and Wes Anderson to win the Best Original Screenplay Academy Award; however, I correctly predicted Alejandro Gonzalez Inarritu and Birdman to win. Hotel had won the BAFTA (a terrible predictor) as well as the Writer's Guild of America Awards (a great predictor); however, Birdman was not nominated for a WGA Award. This isn't terribly surprising, as many people (seemingly) can write a great script without being a member of the Writer's Guild.

Again, the biggest predictor of a screenplay award is if the film wins Best Picture, which means one should look heavily at the DGAs. 2015, probably more than any other year, shows us that the film that wins Best Picture will have a trickle down effect for other categories.

Still, the WGA is an incredibly reliable predictor of a Best Screenplay Oscar win. Graham Moore and The Imitation Game won the WGA for Best Adapted Screenplay and it also went on to win the Academy Award. I don't fault anyone predicting the WGA winner for Best Original Screenplay, Wes Anderson, would go on to the wins the Oscar, but the use of common sense (Anderson not going against Inarritu at the WGAs) in conjunction with other factors (Birdman's DGA and PGA win) to predict correctly.

Also, for the past four years, the winner of Best Original Screenplay was for a writer who also directed his picture. That would have held true for Wes Anderson, but it also is still true for Alejandro Gonzalez Inarritu.

10 "Quick" Reactions to the 2015 Academy Awards

1)      Birdman tied The Grand Budapest Hotel in terms of total Oscar wins with four. Birdman took home the big three (Best Picture, Best Director, Best Original Screenplay) and well as Best Cinematography (which any cinephile knows is also another huge accomplishment, but we’ll get to that in another bullet point). After its SAG, DGA, and PGA win, Birdman and its director Alejandro Gonzalez Inarritu became the favorite to win the biggies and considering how creative and unique Birdman is, it’s not hard to see how these wins aren’t well-deserved. I personally did not like Birdman, but I respected the hell out of it and I’m not terribly bummed that it won.

2)      Inarritu's (and others) win for Birdman’s screenplay will be considered an upset by many as the general notion was that Wes Anderson and The Grand Budapest Hotel was going to take the category. However, if you followed me and my advice, this Birdman win should have been expected. Since the film was projected to win Best Picture, it was the favorite (by me) to win Best Original Screenplay as it’s tough to claim a film is the very best without its screenplay also being the very best. If only people listened to me more.

3)      As mentioned earlier, The Grand Budapest Hotel also won four Oscars (Best Production Design, Best Costume Design, Best Make Up and Hairstyling, and Best Score). While all technical awards, Wes Anderson films, especially Hotel, tend to be grand productions so it’s not surprising it won so many technical awards. Again, this is another film I didn’t care for (I actually hated it), but the sets were remarkable, the costumes really were outstanding, and they did such a great job making Tilda Swinton look like a completely different person that I didn’t know she was in the film until much later.

4)      Alexandre Desplat was nominated twice in the Best Score category (for his work on Hotel and The Imitation Game) but since voters only see the name of the movie when they vote, many people thought (including yours truly) that Johann Johannsson would win Best Score for his work on The Theory of Everything. This was one of the few upsets of the night, but an overall well-deserved win by a talented composer. 

Saturday, February 21, 2015

My Final Predictions for the 2015 Academy Award Winners

THE MAJOR EIGHT

BEST PICTURE: Birdman
BEST DIRECTOR: Alejandro Gonzalez Inarritu (Birdman)
BEST ACTOR: Eddie Redmayne (The Theory of Everything)
BEST ACTRESS: Julianne Moore (Still Alice)
BEST SUPPORTING ACTOR: J.K. Simmons (Whiplash)
BEST SUPPORTING ACTRESS: Patricia Arquette (Boyhood)
BEST ORIGINAL SCREENPLAY: Alejandro Gonzalez Inarritu, et al (Birdman)
BEST ADAPTED SCREENPLAY: Graham Moore (The Imitation Game)



BEST "OTHER FILM"

BEST ANIMATED PICTURE: How To Train Your Dragon 2
BEST DOCUMENTARY: Citizenfour
BEST FOREIGN LANGUAGE FILM: Ida


Friday, February 20, 2015

Do The Oscars Have A Race Problem?

Soon after the Academy Award nominations were announced, the hashtag #OscarSoWhite started trending on Twitter. It was not difficult see why. All 20 of the acting nominees were white, all 5 directors were either White or Hispanic, and 7 out of the 8 Best Picture nominees featured a predominantly White cast. So what gives? What’s with all of the white-washing?

The first discussion topic regarding race at the 2015 Oscars starts at Selma. Selma is a film directed by a black woman, written by a white man, starring a black man, in a cast that’s predominantly black. Selma was nominated for Best Picture, but other than that, its only other nomination came in the Best Original Song category. People cry out that Ava DuVernay failed to receive a Best Director nomination and the Selma’s star David Oyelowo failed to receive a Best Actor nomination. For some reason, people aren’t clamoring that Paul Webb, the film’s screenwriter, deserved a nomination, but that’s for another topic I guess. Anyways, if DuVernay and Oyelowo earn a nomination, is there discussion about race and the Oscars over? That seems to be the next logical step in people’s arguments, right?

Wednesday, February 18, 2015

2015 Oscar Preview: Best Picture

THE NOMINEES:

- American Sniper
- Birdman
- Boyhood
- Selma
- The Imitation Game
- The Grand Budapest Hotel
- The Theory of Everything
- Whiplash




WHAT SHOULD BE HERE: Nightcrawler

Recently I wrote about why Edge of Tomorrow should have received a Best Picture nomination, Action flicks and superhero flicks can be good and there's no reason we can't say they're one one the 8 to 10 best films of the year when they're done properly. Star Wars was nominated for Best Picture in 1978. The Dark Knight may not have earned a Best Picture nod, but its snub was the main reason The Academy changed how voters choose the Best Picture nominees. Frankly, the way Hollywood is leaning with more emphasis on Marvel and DC properties and less emphasis on "prestige" films, the Academy might as well steer into the skid.

However, there's no way on God's Green Earth that a film like Edge of Tomorrow or Guardians of the Galaxy was going to get a Best Picture nomination in 2015. A film that actually had a chance to earn a nomination was Dan Gilroy's dark and twisted thriller Nightcrawler. The acting in the film was spectacular, the story was so complex, layered, and nuanced, and it sucked you in from the get go. Just an incredible film and a perfect movie to speak to those 30 and under- which of course is not in The Academy's wheelhouse which is why it didn't receive a nomination.

Click here for my full review of Nightcrawler

Tuesday, February 17, 2015

The 14 Best Films of 2014

Only about 6 weeks ago I posted my list of the 10 Best Films of 2014 with the caveat that I had not seen many films (especially many Oscar contenders). I openly admitted that the first few films on that list (mainly Veronica Mars, Wish I Was Here, and Fury) would not make my true Best of 2014 List. I still stand by those selections as films you should eventually see one day, but I was correct in that they did not make my final list. I have seen a considerable amount of films over the past few weeks and many of them are worthy on making my final year-end list.

In the end, I think 2014 ended up being a pretty good year for films. We had quality prestige Oscar-worthy films, classic summer Blockbusters, and delightful Indies. We still haven't had that Holy Shit Movie since The Social Network (only Drive comes close) and we certainly didn't get that film in 2014. But the fact that I needed to expand this list beyond 10 films should tell you something about how good and deep 2014 ended up being for movies.

Similar to my 14 Best T.V. Shows of 2014 list, the number of films in relation to the year may seem gimmicky, but I assure you the number of films I will choose to discuss mainly relates to the quality of good films there are to discuss. Before I write a post like this, I type up all of the films I plan to write about into my iPhone. I initially only wanted to do a Top 10 list, but I had considerable trouble narrowing down the list into only 10. I`could choose to leave off films I discussed in my initial Best-Of Year End list, but not only would that be a disservice to certain films, I use these posts as reference points in later years. Eventually, I was able to pair down my list to 13 solid and worthy candidates- none of which I wanted to leave off of my list. I did add a 14th film because "The Top 13 Films of 2014" doesn't flow quite as nicely, but like I said, all of these films are worthy of being considered the best of the best.